Fiction

KPFTV Fiction · 2026

We build fiction as worlds —
not disposable titles.

KPFTV Editions publishes fiction with a clear identity: series-driven, visually strong, and written for readers who expect tension, atmosphere, and consequence. Our catalogue is built to survive thumbnails, algorithms, and time — not to vanish after one season.

The Oracle’s Curse
Blood at the Symposium
Crimson Divide
The Dream of Elsewhere
Tales of the Shattered Streams

Romance is changing.
We’re leaning into it.

Romance is the strongest force in contemporary fiction — and in 2026, it is no longer soft, simple, or predictable. We are expanding into romance that understands power, desire, identity, and emotional risk.

New Adult Romance (18–25)

For readers who want intensity, agency, and characters who make real decisions — not sanitized fantasies.

  • Enemies-to-lovers & power-driven dynamics
  • Emotionally complex relationships
  • Series-capable romance worlds

LGBTQ+ Romance

One of the fastest-growing markets worldwide — and one we approach with seriousness, respect, and editorial standards.

  • MM, FF, NB romance
  • Queer coming-of-age (New Adult)
  • Identity, belonging, and desire without tokenism

Beyond romance:
the rest that matters.

KPFTV Fiction also expands into genres that reflect the anxiety, intelligence, and instability of the present moment. We are especially interested in projects that blur boundaries and speak to New Adult readers without condescension.

Speculative & Near-Future Fiction

  • Dystopian & near-future narratives
  • AI, surveillance, political pressure
  • Societies under stress

Dark Fiction & Psychological Horror

  • Psychological & folk horror
  • Dark academia
  • Belief systems, cults, moral collapse

We’re actively looking for new voices.

If you are working on a fiction project with a clear audience, a strong narrative spine, and the potential to grow into a series, we invite you to submit.

Submit your fiction project
KPFTV Editions reviews selectively. We build long-term fiction brands — not content mills.